![]() ![]() Agent: Kim Witherspoon, InkWell Management. Readers will be entranced by Shriver’s freewheeling meditation on mortality and human agency. There is sometimes outlandish humor and periods of magical thinking in their dialogue, all rendered to brilliant effect. ![]() ![]() (It is not a spoiler to reveal that in some instances they live well beyond their 80s.) Years progress from the “surprising to the implausible” to the “incredible” and the “impossible” as the Wilkinsons balk and consider every possibility from assisted living to cryogenics, debating the free choice to end one’s life and the purpose or value of living. Shriver tackles the next decades until their “use-by” date with her usual aplomb, offering 12 alternate scenarios. Rather, they’re propelled by watching Kay’s parents linger through years of dementia, going from “deterioration” to “degradation” toward an intolerable decline that they don’t want for themselves. There is no satire or irony in Cyril’s Swiftean “modest proposal,” as Shriver terms it. OPINION: Lionel Shriver first gained widespread literary recognition with We Need to Talk About. In 1991, over a “fateful sherry,” Londoners Cyril and Kay Wilkinson, both still in perfectly good health, make a pact to end their lives when they turn 80 (she, in 2020 he, in 2021). Should We Stay or Should We Go, by Lionel Shriver (HarperCollins, 32.99) Reviewed by Wendy Smith. Shriver ( The Motion of the Body Through Space) delivers on a high-concept premise full of alternative narratives based around themes of illness and aging. ![]()
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